孙 欣
SUN XIN
...Artist...Art Critic...
Book
2011 Klimt’s Art Study, Capital Normal University Publishing, ISBN: 987-7-5656-0436-2.
2020 Chinese Female Art，Beijing Arts and Crafts Publishing House. ISBN: 978-7-5140-2035-9，2020.11，P468-473. article <Being with Cloud>, works series ‘Everydayness of Cloud’, ‘Existence of Cloud’ collected.
Article
2020 < The Positive Destruction: Landscape Ink Painting in Chinese Contemporary Art> (conference paper), ‘The Aesthetics of Decay: Creative Modes of Destruction’ International Conference, London Centre for Interdisciplinary Research, St Anne's College, University of Oxford. (absent for Covid-pandemic)
2019 <After the END: Cross-Section Study of American Contemporary Art in 2014-15>, Art Monthly (the central art Journal of China), issue 462 (19.6), P70-74.
2019 <Historicality of Contemporariness: Based on the Contemporary Art Exhibitions in London> published in ART OBSERVATION, issue281(19.1), P85-87
2018 <The Flowing Spectacle: History of Visual Representation of Cloud> published in NATIONAL ART MUSEUM OF CHINA, issue133(18.1), P67-79
2015 < Strategy of Contemporary Art Collection and Exhibition of Museums in New York Area> published in NATIONAL ART MUSEUM OF CHINA, issue120, P63-67.
2015 Translation:<Van Gogh's Modernity> by Michael Lobel, published in CHINA NATIONAL FINE ART, Issue28(2015.2)
2014-13 Translation:
Psychoanalysis in Modernism and as Method by Hal Forster,
The Social History of Art: Models and Concepts by Rosalind Krauss,
Formalism and Structuralism by Yve-Alain Bois,
Poststructuralism and Deconstruction by Benjamin Buchloh.
Translate from the Preface of Art Since 1900: Modernism, Antimodernism, Postmodernism. published in CHINA NATIONAL FINE ART, Issue 2014.2,2013.4,2013.2.
2012 Translation: <Paradox of Mimesis> by Keith Moxey, selected in Introduction to the Classical Texts of Visual Culture, Beijing Normal University Publishing. ISBN:9787303135370, P206-229.
2012 Translation: <Fassbinder and Lacan: A Reconsideration of Gaze, Look and Image> by Kaja Silverman, selected in Introduction to the Classical Texts of Visual Culture, Beijing Normal University Publishing. ISBN:9787303135370, P317-335.
2011 Four Methodologies of Western Art Theory in Twenty Century published in Art (the central art Journal of China)2011.3, P117-123.
2010 Documental Collection of Fifteenth Anniversary of China Oil-Painting Association, I was in charge of the interview of artists.
2010 <Psychoanalysis of Klimt’s Erotic Drawing>published in NATIONAL ART MUSEUM OF CHINA ,2010.3.
2009 <Body in Psycho Aspect: Austrian Contemporary art>published in ART(the central art magazine of China)，2009.12.
2009 <Psychoanalysis of Klimt’s Female Portraits>published in ART(the central art magazine of China),2009.9.
2009 Multidimensional Construction: The Art Exhibition System of Vienna published in Art Observation (the central art Journal of China), 2009.3, P133-136.
2008 <The Contemporarity of Chinese Contemporary Art>
2008 <Beijing Contemporary Art Community Investigation> Project Report.
2007 <07’Peking International Gallery Exposition Impression>published in CRIonline.
2006 <Memory of time>published in <art Reference>10,2006.
2006 <Folk Symbols in Cai GuoQiang’s Art> published in <Semiology Document>,2007.
2003 thesis <Art Space> published in <aesthetics articles>, Renmin Art Publishing.
Solo Exhibitions
2018 “Being of Cloud——Tribute to John Constable”,Parallax Art Fair,2018.7，London,UK
2008 “From Cloud To Sky” Solo Exhibition in Intakt Space, WUK, Vienna
Group Exhibitions
2018 <Existence of Cloud> series shown in “JuHeTi(Group)” Contemporary Art Exhibition, Phoenix HanZhang Art Center,798,Beijing
2011 < Presence of Clouds>series shown in History·New Song Zhuang Exhibition, Sunshine Art Museum, Songzhuang, Beijing
2010 < Presence of Clouds>series shown in “Small-sized Oil-paintings” Exhibition in Gallery Light of Orient in 798,Beijing
2009 < Presence of Clouds> shown in “Chinese Scenery” Exhibition in Gallery Light of Orient in 798,Beijing
2007 oil painting <Rose>shown in “2007’China-Korea Artists Invitational Exhibition”
2001 eleven pieces of oil painting works shown in “2001st Xi’an Art Academy post-graduate student’s works Exhibition”
1999 oil painting<City Scenery>shown in “Shanxi Province Artworks Exhibition”.
1999 oil painting<Untitled>shown in “1999th Shanxi Province Young Artists works Exhibition”.
Work Published
2015 Four Pieces of oil painting works series <Existence of Cloud> published in ART (the central art magazine of China),2015.12
2012 <Observing in the Process>, <Sky>,<Existence of Cloud> series works published in ARTWEEKLY
2006 ten pieces of oil painting works series <Observing in the Process> published in <China Calligraphy and Painting Collections>
2001 oil painting <Happy Time No.1>,<Happy Time No.2> published in<Art Garden>(the prime publication in China)
1999 sketch<Female body>published in<The Volume of Young Artists’ Sketch Works of Xi’an Fine Art Academy>
2018 take part in "Time, Space and Self" International Conference，London Center for Interdisciplinary Research，London，UK.
Paper Presentation: “Differentiation and Similarity: Space and Time in Classical Landscape of West and East”.
2014 take part in CAA's 100th Annual Conference, Chicago, USA.
2010 take part in ALUMNI MEETING of Eurasia Pacific Uninet (EPU)
Austrian Agency for International Cooperation in Education & Research, Shanghai.
2009 take part in “None Mirrors－Female Identity and Development” symposium，White Box Art Museum, 798 Art Community, Beijing, China.
2008 take part in “Art and Cartography Symposium”, Academy of Fine Art and Kunsthalle Vienna Project Space.
2008 take part in “Baselitz to Lassnig – Masterpieces” Symposium，Essl Museum, Vienna.
2008 take part in “Borders, Nations, Translations: The Political Limits of Cultural Trans-Nationalism” Symposium, WUK, Vienna.
2008 take part in “Ideology and Anti-ideology symposium” Intarkt Space, WUK, Vienna.
2008 take part in “Memories in an age of globalization Forum” IFK, Vienna.
2008 take part in “Was ist Gegenwartskunst? Forum”, Vienna Applied Art University.
2008 take part in “The Art of Critique Symposium” WUK, Vienna.
2008 take part in “Overlapping Voices - Israeli and Palestinian Artists symposium” Essl Museum.
2008 take part in “Making Culture, Changing Society: Museums and Coloniaism symposium, Vienna Applied Arts University.
2008 take part in “Doing Difference Differently? New Museum Approaches to Cultural Diversity Symposium” Vienna Applied Arts University.
2008 take part in “‘New Realities: being Syncretic’——IXth Consciousness Reframed International Research Conference” Vienna Applied Arts University.
2007 take part in “China-British Cultural Connection ·Senior Curators Forum” in National Art Museum of China.
2007 take part in “Facing Reality—Chinese Contemporary Art Exhibition Forum” in MUMOK Vienna.
2006 be responsible for the project of Beijing Government 11th Five-Year- Plan on Philosophy and Social Science Construction, the subject is “the Research on Beijing Contemporary Art Groups”.
2005 take part in the forum of “oil-painting education in colleges” Capital Normal University.
2001-, Associate Professor in Capital Normal University in Beijing China．
2013-14，Visiting Scholar in State University of New York, USA
2009, Ph.D in China Academy of Arts in Beijing China．
2007-08, Visiting Scholar in Vienna Applied Art University and Vienna University, Austria．
2001, MFA in Xi’an Academy of Fine Art in Xi’an China．
1995,study in Academy of Art and Design Tsinghuan University
1994-98, Assistant in HeBei Province University
1994, BA in HeBei Normal University Fine Art Department